My research will tackle the technical issues one will encounter when one plays contemporary music on the Baroque flute. Some of the repertoire before 2001 was discussed in the previous investigation by Linda Pereksta’s dissertation written in 2001, at Florida State University.

Furthermore, I will list the music for Baroque flute having been composed up till 2015. In the written part, I will focus on several subjects which are important for the playing and writing of contemporary music for Baroque flute: 1) About the Baroque flute 2) Contemporary music written for Baroque flute-compositional styles and the application of extended techniques. The liner notes and a short biography of composers of the recording will be provided in Appendix 2. All of them were newly composed in 2014 except for Tombeau, which was composed in 1982. 1943) Mili for Baroque flute and tape by Filippo Santoro (b.1971) and Gists and Piths for modern flute and Baroque flute duet by Stephen Dembski (b.1949). 1955) Tombeau(1982) by Robert Strizich(b.1945) Stanza, Book XVIII for Baroque flute solo by Les Thimmig (b. The following pieces are the recorded works in this project: Ami for solo Baroque flutes by Marc Vallon (b.

This project also comes with a short thesis introducing contemporary works for Baroque flute and explores the existing repertoire for its application of contemporary extended techniques. The primary purpose of this project is to record five pieces from living composers, and discover the differences and use of Baroque flute through the collaboration with these five composers.

Sonnerie harp glissando